За 9 месяцев Татарстан израсходовал почти 30 миллиардов рублей на выполнение национальных проектов.

За 9 месяцев Татарстан израсходовал почти 30 миллиардов рублей на выполнение национальных проектов.

      Они направлены на улучшение жизни граждан региона. В Татарстане уже затрачено почти 30 миллиардов рублей на реализацию национальных проектов. Об этом информирует «Татар-информ». Это составляет примерно две трети от запланированной суммы в бюджете на год. Наибольшее финансирование получило несколько проектов:

      «Семья» — 11 миллиардов рублей;

      «Инфраструктура для жизни» — 9 миллиардов рублей;

      «Молодежь и дети» — 4,8 миллиарда рублей;

      «Продолжительная и активная жизнь» — 3,1 миллиарда рублей.

      В общей сложности на 2025 год для реализации национальных проектов предусмотрено 44,1 миллиарда рублей, из которых 24,1 миллиарда — федеральные средства, а оставшаяся часть — из бюджета Татарстана. Национальные проекты ориентированы на улучшение качества жизни жителей региона, развитие инфраструктуры и повышение уровня социальных услуг.

За 9 месяцев Татарстан израсходовал почти 30 миллиардов рублей на выполнение национальных проектов.

Другие Новости Казани (Казань716)

Татарстанцам объяснили, какие преимущества предоставляет MAX. Татарстанцам объяснили, какие преимущества предоставляет MAX. Национальный мессенджер MAX предоставляет жителям Татарстана исключительную возможность бесплатно общаться с близкими и друзьями. 16.10.2025. ГТРК Татарстан. Республика Татарстан. Казань. Frankenstein, 2025. Written and Directed by Guillermo del Toro. Featuring Oscar Isaac, Jacob Elordi, Mia Goth, Christoph Waltz, Felix Kammerer, David Bradley, Lars Mikkelsen, Christian Convery, Charles Dance, Burn Gorman, Ralph Ineson, Cullen McFater, Lauren Collins, Nikolaj Lie Kaas, Roberto Campanella, Stuart Hughes, and Joachim Fjelstrup. SYNOPSIS: An ingenious yet self-centered scientist animates a creature in a horrific experiment that ultimately leads to the downfall of both the creator and his sorrowful creation. Guillermo del Toro's long-awaited adaptation of Mary Shelley’s classic Frankenstein combines a faithful treatment of the original material with the filmmaker’s personal fantastical style reminiscent of graphic novels and a generous budget from Netflix. While the impressive CGI contributes to the visual spectacle, it also injects a sense of emptiness into the narrative. Fortunately, Jacob Elordi delivers a transformative performance as The Creature, conveying both sensitivity and fury, which aligns perfectly with Guillermo del Toro’s longstanding fascination with beauty, Gothic romance, and intense violence. The film employs a two-chapter structure where both Victor Frankenstein (played by Oscar Isaac) and The Creature share their tales with the captain of a shipwrecked vessel in the frigid pursuit of the North Pole. The familiar story unfolds, with the notable distinction that it benefits from unprecedented financial support, which can be a double-edged sword. Victor recounts his tragic early life (with Christian Convery portraying the younger version), marked by the early death of his mother due to illness and the immense pressure exerted by his father (Charles Dance) regarding his studies. Consequently, Victor becomes fixated on preventing death through unorthodox scientific endeavors, combining body parts and organs from various corpses in a quest to bring them to life. Essentially, he embodies the archetype of a mad scientist playing God, backed by the arms-dealing uncle (Christoph Waltz) of his brother’s fiancée, Elizabeth (Mia Goth), who is also invested in these experiments. Elizabeth Lavenza acknowledges Victor's brilliance but is equally repulsed by his hubris. Once his creation is successful and reduces to merely repeating “Victor,” he finds himself bored and increasingly frustrated with The Creature. In contrast, Elizabeth interacts with The Creature in a way that exhibits a nurturing kindness. This dynamic reflects the essence of Guillermo del Toro as a storyteller, yet it feels somewhat inadequate in a film that devotes just over an hour to exploring the creation process in depth. This suggests that parts of this interpretation of Frankenstein feel monotonous, and no amount of elaborate costumes or striking cinematography by regular collaborator Dan Laustsen can remedy that. Fortunately, the film gains momentum and truly resonates once it pivots to The Creature's perspective, where Jacob Elordi fully engages with a broad spectrum of emotions, enhanced by remarkable makeup effects. As is widely recognized, his existence beyond Victor's betrayal is fraught with grace, accumulated wisdom, and humanity (despite his monstrous form), yet it is also marked by emotional turmoil and further betrayal. It is within these moments that genuine emotion emerges. Nevertheless, regardless of the budget spent on this version of Frankenstein, it does not emerge as the definitive rendition that Guillermo del Toro aimed for. It represents a compelling interpretation that leverages impressive production design, stunning effects, and evocative performances and visuals, yet there is an underlying sense of artificiality. In some ways, it mirrors Frankenstein itself, with Guillermo del Toro imprinting his vision on Mary Shelley’s narrative within a Netflix framework that yields mixed outcomes. Flickering Myth Rating – Film: ★ ★ ★ / Movie: ★ ★ ★ Robert Kojder Frankenstein, 2025. Written and Directed by Guillermo del Toro. Featuring Oscar Isaac, Jacob Elordi, Mia Goth, Christoph Waltz, Felix Kammerer, David Bradley, Lars Mikkelsen, Christian Convery, Charles Dance, Burn Gorman, Ralph Ineson, Cullen McFater, Lauren Collins, Nikolaj Lie Kaas, Roberto Campanella, Stuart Hughes, and Joachim Fjelstrup. SYNOPSIS: An ingenious yet self-centered scientist animates a creature in a horrific experiment that ultimately leads to the downfall of both the creator and his sorrowful creation. Guillermo del Toro's long-awaited adaptation of Mary Shelley’s classic Frankenstein combines a faithful treatment of the original material with the filmmaker’s personal fantastical style reminiscent of graphic novels and a generous budget from Netflix. While the impressive CGI contributes to the visual spectacle, it also injects a sense of emptiness into the narrative. Fortunately, Jacob Elordi delivers a transformative performance as The Creature, conveying both sensitivity and fury, which aligns perfectly with Guillermo del Toro’s longstanding fascination with beauty, Gothic romance, and intense violence. The film employs a two-chapter structure where both Victor Frankenstein (played by Oscar Isaac) and The Creature share their tales with the captain of a shipwrecked vessel in the frigid pursuit of the North Pole. The familiar story unfolds, with the notable distinction that it benefits from unprecedented financial support, which can be a double-edged sword. Victor recounts his tragic early life (with Christian Convery portraying the younger version), marked by the early death of his mother due to illness and the immense pressure exerted by his father (Charles Dance) regarding his studies. Consequently, Victor becomes fixated on preventing death through unorthodox scientific endeavors, combining body parts and organs from various corpses in a quest to bring them to life. Essentially, he embodies the archetype of a mad scientist playing God, backed by the arms-dealing uncle (Christoph Waltz) of his brother’s fiancée, Elizabeth (Mia Goth), who is also invested in these experiments. Elizabeth Lavenza acknowledges Victor's brilliance but is equally repulsed by his hubris. Once his creation is successful and reduces to merely repeating “Victor,” he finds himself bored and increasingly frustrated with The Creature. In contrast, Elizabeth interacts with The Creature in a way that exhibits a nurturing kindness. This dynamic reflects the essence of Guillermo del Toro as a storyteller, yet it feels somewhat inadequate in a film that devotes just over an hour to exploring the creation process in depth. This suggests that parts of this interpretation of Frankenstein feel monotonous, and no amount of elaborate costumes or striking cinematography by regular collaborator Dan Laustsen can remedy that. Fortunately, the film gains momentum and truly resonates once it pivots to The Creature's perspective, where Jacob Elordi fully engages with a broad spectrum of emotions, enhanced by remarkable makeup effects. As is widely recognized, his existence beyond Victor's betrayal is fraught with grace, accumulated wisdom, and humanity (despite his monstrous form), yet it is also marked by emotional turmoil and further betrayal. It is within these moments that genuine emotion emerges. Nevertheless, regardless of the budget spent on this version of Frankenstein, it does not emerge as the definitive rendition that Guillermo del Toro aimed for. It represents a compelling interpretation that leverages impressive production design, stunning effects, and evocative performances and visuals, yet there is an underlying sense of artificiality. In some ways, it mirrors Frankenstein itself, with Guillermo del Toro imprinting his vision on Mary Shelley’s narrative within a Netflix framework that yields mixed outcomes. Flickering Myth Rating – Film: ★ ★ ★ / Movie: ★ ★ ★ Robert Kojder 16 октября 2025 года, накануне праздника обретения мощей святителей Гурия, архиепископа Казанского, и Варсонофия, епископа Тверского, будет отмечаться Собор Казанских Святых, который состоится 17.10.2025. Альметьевская Епархия. Республика Татарстан. Альметьевск. Российский фондовый рынок резко поднялся в ожидании беседы Путина и Трампа. Индекс Мосбиржи поднялся до 2613,59 пункта после сообщений о запланированном разговоре руководителей России и США. Рынок акций в России показал значительный рост в четверг, 16 октября. 17.10.2025. Реальное время. Республика Татарстан. Казань. "Справедливость: от А до Я" "Справедливость: от А до Я" Сегодня учащиеся 10-го класса МАОУ «Лицей-интернат №7» из Ново-Савиновского района г. Казани посетили здание Ново-Савиновского районного суда. 16.10.2025. Ново-Савиновский районный суд. Республика Татарстан. Казань. Без светофоров до М12 мимо села по четырем полосам: в Татарстане завершили строительство обходной дороги для Сокуров. Без светофоров до М12 мимо села по четырем полосам: в Татарстане завершили строительство обходной дороги для Сокуров. В Лаишевском районе Татарстана была открыта объездная дорога для Сокуров. «Качество жизни миллионов людей зависит от надежной транспортной инфраструктуры». В преддверии Дня работников дорожного хозяйства и Дня работника автотранспорта 16.10.2025. ИА Татар-информ. Республика Татарстан. Казань. Срочное оповещение Срочное оповещение Дорогие граждане! ФГБУ «Управление по гидрометеорологии и мониторингу окружающей среды Республики Татарстан» сообщило   Консультацию – предупреждение о силе метеорологического явления с 22 часов 16.10.2025. Верхнеуслонский район. Республика Татарстан. Верхний Услон.

За 9 месяцев Татарстан израсходовал почти 30 миллиардов рублей на выполнение национальных проектов.

Их цель заключается в улучшении качества жизни населения региона. В Татарстане уже израсходовано почти 30 миллиардов рублей на выполнение национальных проектов. 16.10.2025. Альметьевск РТВ. Республика Татарстан. Альметьевск.